Bayeux Tapestry

One of the most remarkable artefacts of the Middle Ages: a 70-metre embroidered linen strip depicting 58 scenes from the Norman Conquest of England, from the events leading up to William the Conqueror's invasion to the Battle of Hastings in 1066. Created within a generation of the events it depicts, it is simultaneously a propaganda piece, a military record, and an extraordinary window into 11th-century life — horses, ships, feasting, armour, and the Halley's Comet of 1066 are all there in vivid detail.

The museum that houses it is well designed, with an audio guide (included in admission) that explains each scene. Spend at least an hour. The tapestry is displayed in a darkened gallery at eye level, under protective glass; the resolution of the needlework becomes more astonishing the longer you look.

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A story
The tapestry is not technically a tapestry — it is an embroidery on linen, made by sewing coloured woollen threads onto a long strip of cloth rather than weaving them. It was almost certainly made in England, probably at Canterbury, around 1070–80, on commission from Bishop Odo of Bayeux, William the Conqueror's half-brother. How it ended up in Bayeux Cathedral, where it remained for nine centuries, is one of the minor mysteries of art history.