The most celebrated of Ouro Preto's churches and the high point of Brazilian baroque. Built between 1766 and 1810, it is unusual for its rococo lightness — single nave, oval medallions, a curving façade flanked by cylindrical bell towers rather than the rectangular blocks that dominate elsewhere.
The exterior soapstone medallion above the door, carved by Aleijadinho, shows Saint Francis receiving the stigmata. The painted ceiling inside, by Manoel da Costa Ataíde, depicts the Virgin Mary surrounded by angels and is one of the great works of colonial Brazilian painting. Note that Ataíde gave several of his angels distinctly Afro-Brazilian features — radical for the time.