The Passenger is a large public sculpture near the entrance to the Grand-Place: a sweeping wave of stacked timber that curves overhead, creating a dramatic gateway to the historic centre. The work was originally commissioned for Mons's year as European Capital of Culture in 2015 and proved popular enough that a version was made permanent.
It is the kind of public art that divides opinion — too big, too foreign, too modern for some; a welcome jolt of ambition for others. Either way, it is impossible to miss and has become part of the city's visual identity. The timber construction echoes Mons's industrial and mining past in the Borinage region to the west.