Inside Bamberg Cathedral, against the north pier of the choir, sits an anonymous early-13th-century stone equestrian — life-size, carved from one block, with no inscription identifying the rider or sculptor. He is one of the most studied figures in medieval German art and one of the great mysteries: a young king on a horse, looking out from the cathedral wall, with no documented commission and no consensus on who he is meant to be.
Look for the elaborate clasp of his cloak — a clue, possibly, to Hungarian royal origin. Or possibly not.