Quetzalcóatl Sculpture

A massive coiled bronze representing the Mesoamerican feathered serpent Quetzalcóatl sits in the southern half of Plaza de César Chávez, downtown. Sculptor Robert Graham, working in an abstracted style, produced a smooth dark mound that has been variously interpreted as a serpent at rest, a Henry Moore-style abstraction, or — as locals delight in pointing out — something less dignified.

Whatever you think of it, the sculpture is impossible to ignore on a walk through the plaza. It anchors one of the city's pleasanter public spaces and gives San Joseans a reliable subject for civic argument. Read the inscription before you snicker; the piece is intended to honour the city's Mexican and Mexican-American heritage.

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Robert Graham's coiled bronze Quetzalcóatl was unveiled in 1994 in Plaza de César Chávez and almost instantly became San Jose's most divisive public artwork. Residents complained that it cost half a million dollars, did not resemble the Aztec feathered serpent, and resembled "a giant pile of excrement." Repeated calls for its removal have not succeeded, and after thirty years the sculpture has settled into the role of beloved civic eyesore.

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