The finest collection of Cham Hindu sculpture in the world, housed in a graceful French colonial building on the bank of the Han River. The galleries are arranged by the major Cham temple sites — Mỹ Sơn, Trà Kiệu, Đồng Dương — so the stylistic evolution from 7th-century austerity to the elaborate 10th-century style is visible as you walk through.
The star pieces are the Trà Kiệu altar (an exquisitely detailed narrative frieze of the Ramayana carved in sandstone) and the enormous dancing Shiva from Đồng Dương. Allow at least two hours; the collections reward unhurried looking. The museum is small enough that a single visit covers everything but large enough that the detail repays repeat trips.