MONA — Museum of Old and New Art

David Walsh's subterranean private museum — Australia's most important and most provocative gallery

Address 655 Main Road, Berriedale, Hobart
Opening Hours Fri–Mon 10:00–17:00; closed Tue–Thu
Admission AU$39 adults; free for Tasmanian residents

The single most extraordinary thing in Tasmania, and one of the most important private art museums in the world. MONA's collection spans ancient Egyptian sarcophagi, mummies, and Greek coins through to confrontational contemporary installations — Wim Delvoye's faecal-producing machine Cloaca Professional, Anselm Kiefer's lead-and-ash wall-sized canvases, a real preserved tiger shark by Sidney Nolan. The architecture by Nonda Katsalidis is as much the attraction as the work: three subterranean storeys carved into the cliff, reached by a tight spiral staircase, with daylight kept almost entirely out.

Plan for at least half a day. The ferry from Brooke Street Pier is part of the experience — bring sunglasses, sit on the top deck, and let Hobart drift away as you approach the strange angular building rising from the water. The on-site Source Restaurant and the Moorilla winery are both excellent. In June, MONA hosts Dark Mofo; in January, MONA FOMA — both festivals are run by the museum and are unlike any other cultural event in Australia.

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A story
MONA was built by David Walsh, a Hobart-born professional gambler who made his fortune through a horse-racing syndicate called Punters Club. He sank an estimated AU$200 million into the building, which is dug into the sandstone cliffs of the Moorilla peninsula and reached by a custom-built catamaran from the city. When it opened in 2011, Walsh called it "a subversive adult Disneyland" — there are no wall labels, the lights are deliberately low, and visitors are handed an iPod-like app called the O that decides for itself what counts as art.

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